Island Monasteries: San Giorgio Maggiore
Position of Microphone Position of Singer(s)
Fuller information on the forces used is given in the List of Tracks (pdf). For analysis of the acoustic effects, please refer to the full text in the book.
| 16. chant, Gaudeamus | A | *4 | p.67 | |
| 17. chant, Gaudeamus | A | *3 | p.68 | |
| 18. G. Gabrieli, Jubilate deo | B | *2 | p.71 | |
| 19. G. Gabrieli, Jubilate deo | B | *5 | p.71 | |
| 20. chant, Gaudeamus | C | *2 | p.71 | |
| 21. Willaert, Domine probasti me | Di, Diii | *3 | p.71 | |
| 22. Willaert, Domine probasti me | Di, Diii | *3 | p.71 | |
| 23. Willaert, Domine probasti me | Ei, Eii | *2 | pp.71-3 | |
| 24. G. Gabrieli, Timor et Tremor | F | *3 | p.73 | |
| 25. G. Gabrieli, Ricercare | G | *3 | p.74 | |
| 26. Monteverdi, Salve Regina | G | *3 | pp.74-5 |