Mendicant Friaries: Santa Maria Gloriosa dei Frari
Position of Microphone Position of Singer(s)
Fuller information on the forces used is given in the List of Tracks (pdf). For analysis of the acoustic effects, please refer to the full text in the book.
| 27. chant, Gaudeamus | A | *1 | p.84 | |
| 28. chant + Palestrina, Gloria | B | *2 | pp.86-7 | |
| 29. plainchant, sequence for Easter | Ci, Cii | *1 | p.87 | |
| 30. G. Gabrieli, Ricercare nel primo tono | Di | *2 | p.89 | |
| 31. Monteverdi, Salve regina | Di | *3 | pp.89-91 | |
| 32. Willaert, Laudate pueri | Di, Dii | *3 | p.91 | |
| 33. Willaert, Laudate pueri | Di, Dii | *1 | p.91 |